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Search resuls for: "Mike Rubin"


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Damo Suzuki, a Japanese vocalist best known for his role with the revered and influential German experimental rock group Can during its most crucial period, died on Feb. 9 at his home in Cologne, Germany. No cause was given, but Mr. Suzuki had been diagnosed with colon cancer in 2014. Initially given a 10 percent chance of recovery, he endured more than 40 surgeries in the ensuing decade. Mr. Suzuki was a free spirit who left Japan as a teenager for a nomadic life in Europe. “If you’re a creative person,” he said in a 2013 interview with The Japan Times, “it’s important to break rules.
Persons: Damo Suzuki, Suzuki, Organizations: Can’s, Spoon Records, Japan Times Locations: Cologne, Germany, Japan, Europe
Rick Froberg, Singer of Artful Intensity, Is Dead at 55
  + stars: | 2023-07-14 | by ( Mike Rubin | ) www.nytimes.com   time to read: +1 min
Rick Froberg, the vocalist and guitarist best known for his work with the influential 1990s post-hardcore band Drive Like Jehu, whose urgent howl was one of rock’s most distinctive voices, died on June 30 in San Diego. Mr. Froberg, a beloved linchpin of the San Diego underground music scene that flourished in the 1980s and ’90s, sang in a raspy roar that segued smoothly between snarl and scream. Mr. Froberg particularly loved the gnarled growls of the Australian vocalists Bon Scott of AC/DC — his favorite band — and Chris Bailey of the proto-punk Saints, and he strived to follow them, Mr. Reis said. They bonded immediately and soon joined up in Pitchfork, with Mr. Froberg on vocals. The band was inspired, Mr. Reis said, by the noisy music being issued at the time on independent labels like Dischord, Touch & Go and SST.
Persons: Rick Froberg, Britton Neubacher, Froberg, , John Reis, Froberg’s, Bon Scott, Chris Bailey, Reis, Organizations: Pitchfork, DC Locations: San Diego
Standing on the Corner has also produced tracks by Earl Sweatshirt, Mike, Danny Brown and Solange (with whom Escobar has been frequently photographed). Prepandemic, Standing on the Corner gigs were often announced via same-day Instagram stories and rarely featured the same musicians or even the same configuration — the group might be a 30-plus-member chamber jazz orchestra or a free jazz organ trio. Escobar’s preferred instrument is the organ, though he doesn’t have a formal music academy background. “In a certain sense that’s what makes it better,” said Lopez, himself an in-demand collaborator in New York’s jazz and improvised music community. That’s where music exists.
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